ByeBye to WaiWai

毎日新聞英語版サイト 「変態ニュース」を世界発信

Last week, the Japanese net press started to open up a Japanese dialogue about the problems with Mainichi Daily News’ WaiWai tabloid column — probably long overdue.

Now this…

Mainichi ends WaiWai column

2-ch’s trumpet brings another wall crumbling!

I have had my share of criticisms against WaiWai over the years (see this), but I think the basic idea of translating non-mainstream news into English had a lot of promise. If they had only had a nickel’s worth of skepticism about junk tabloids or had not been so cynical to post every single clearly-fake titillating sex story, they would never have been such a backlash. You can’t be a news service and also offer shameless articles concerning “bestiality restaurants.”

W. David MARX
June 22, 2008

W+K TEN

W+K10

TOKYO.TEN : EXHIBITION
2008 06.27 / FRI – 07.27 / SUN
GALLERY & SHOP “DO”
OPENING 06.27 / FRI / 7pm - 11pm
CLOSING + LIVE AFTER PARTY 07.24 / THU / 12am – 4am
URL : claska.com

Ian and David have work featured in the new Wieden + Kennedy Tokyo book and exhibition: Tokyo.Ten.

This event is the W+K team’s first exhibition in Tokyo. It will showcase a visual remix of the 9 WKTLAB hybrid CD/DVD releases and feature the 42 artists who participated in the TEN project. It will also world premiere the latest WKTokyoLab music video for Jemapur’s Maledict Car, directed by Kosai Sekine.

The show is a pretty star-studded lineup of visual creators who work in Tokyo. The participating artists are:
01 ERICA DORN : JAPAN / UK
02 TAKAGI MASAKATSU : JAPAN
03 CHRISTOPHER HUTCHINSON : USA / JAPAN
04 KUSTAA SAKSI : FINLAND / NETHERLANDS
05 KENTARO KOBUKE : JAPAN / UK
06 ELECROTNIK : JAPAN
07 FIEL VALDEZ + Peter Vattanatham : UNITED STATES
08 EDWIN USHIRO : JAPAN / USA
09 SHANE LESTER : USA / JAPAN
10 FREK / OUTSIGN LAB : HONG KONG
11 IAN LYNAM : USA / JAPAN
12 PHUNK STUDIO : SINGAPORE
13 KAZUFUMI KIMURA / VJ GEC : JAPAN
14 EARL BURNLEY JR. a.k.a. JUS REP : UNITED STATES
15 FIEL VALDEZ + Peter Vattanatham : UNITED STATES
16 ZONGY : BELGIUM / USA / JAPAN
17 FURI FURI COMPANY : JAPAN
18 PAUL HWANG / NANOSPORE : UNITED STATES
19 DRISCOLL REID : USA / JAPAN
20 AGENCY COLLECTIVE : UNITED STATES
21 LUIS SANCHIS : SPAIN / USA
22 TOSHIKO KIMURA : JAPAN
23 WOOG : HONG KONG / USA / JAPAN
24 KAMIKAZEDOUGA : JAPAN
25 MOTOKO : JAPAN
26 BURACO DE BALA : BRAZIL 
27 TORU NAGAHAMA : JAPAN / UK
28 GENKI ITO JAPAN
29 ALEKSANDRA DOMANOVIć : SLOVENIJA / GERMANY
30 MAREK OKON : CANADA / JAPAN
31 TADAOMI SHIBUYA : JAPAN
32 MAHARO : JAPAN
33 KAMI : JAPAN
34 SASU: JAPAN
35 TATSUYA YAMADA : JAPAN
36 SUN AN : USA / KOREA
37 TADAHIRO GUNJI : JAPAN
38 SEONGHYUN KIM : SOUTH KOREA
39 THE_GROOP : UNITED STATES
40 SOLOBONGNU-SENSEI : JAPAN
41 KOSAI SEKINE : JAPAN
42 +CRUZ : PHILIPPINES / USA / JAPAN

The exhibition is in celebration of W+K’s new book and dvd release. This is a project set up so that W+K Tokyo LAB, in collaboration with all the artists with can express a range of “POINTS” (“点(TEN)” in Japanese) relating to Tokyo. A point is a moment in time, a dot, a location, and a reason for doing something. What’s the “point” or mark that makes Tokyo different? A point of view, a physical location, a point or moment in time. What do you think of when you think of “Tokyo”? What makes Tokyo special?

DVD (total recording time 70 minutes)
The greatest hits of W+K Tokyo Lab’s artists, including Hifana, Afra, Jemapur, and Takagi Masakatsu.

Come party it up and check out the work!

Ian LYNAM
June 22, 2008

You Don\'t Tay!

Wait, his real name isn’t Tay Zonday? I want my money back.

W. David MARX
June 20, 2008

Daily Yomiuri Recognize

An Insight into Tokyo’s Art Milieu

Review of Chin Music Press’ Art Space Tokyo in the Daily Yomiuri where my essay is referred to as “particularly insightful.” Take that, nonbelievers!

Ian LYNAM
June 20, 2008

Fads in Japan

Japan’s Latest Fads — Marketable in U.S.?

Anyone else think these are all really boring? Who wants to take a bath in wine? Is that the best that “Wacky Japan Inc.” can come up with? Acerola? Slow down, Japan. You are blowing my mind.

Themed Hot Springs Resorts: because normal onsen in the United States have gotten so boring.

Shower Washable Suits: so you can be just as stylish as the average salaryman, now with less hassle.

Kool Boost: I’m not a smoker or anything, but that sounds like it will revolutionize cancer delivery.

G-Shocks: Oh, Japanese kids watch so much CNN that it only makes sense they would learn their style from it.

I also like this statement:

It would be wise for futurecasters to look beyond the much-watched Japanese schoolgirls who indulge in fads.

If futurecasters are obsessed with Japanese schoolgirls, I am not sure they can call themselves “futurecasters.” Trend spotters need to spend a lot less time predicting the future and a lot more time actually figuring out what is going on in the present.

W. David MARX
June 17, 2008

Otaku Murderer Executed

連続幼女誘拐殺人:宮崎死刑囚の死刑執行 他の2死刑囚も

In the late Bubble era, the chilling case of “otaku” serial killer Miyazaki Tsutomu firmly established the supposed link between anime-loving social outcasts and sex criminals. The witch-hunt was kicked off by the (now disputed) discovery of his collection of over 5,000 videotapes — many of them pornography and anime — after his arrest in 1989. The resulting moral outrage at the otaku subculture lasted close to a decade and is almost difficult to fathom in this era of otaku symbolizing “Cool Japan.”

After nearly twenty years on death row, Miyazaki was finally executed yesterday. Given the opacity of the Japanese justice system, it’s hard to speculate, but one can’t help but wonder if the recent Akiba massacre had any impact on the timing.

Matt ALT
June 17, 2008

Coke

Generic Name for Soft Drinks by County (U.S.A.)

I mostly grew up in Northwest Florida, which is a mere 12 hours to Miami by automobile. The culture of the Panhandle is distinctly “Southern.” However, no one ever believes me when I say that my Florida bears little resemblance to the Florida they’d know from Orlando or Miami or Key West, etc.

Finally, some proof of Florida’s cultural diversity: in my part of the state, we say “Coke” as a generic term for all soft drinks. This is also true in Mississippi, Georgia, and Alabama. In South Florida, it’s a bunch of Northern immigrants who say “Soda.” This also explains why the state is a battleground state every election

W. David MARX
June 17, 2008

Neojaponisme on Alltop

There is a new Japan page for Alltop, and Néojaponisme is on it. (So is Clast.)

W. David MARX
June 16, 2008

AKB Massacre

Truly terrible. These kinds of mass killings always seem to happen in obscure villages and towns, nowhere close to home, but this guy brought the horror right into the heart of Tokyo.

The Akihabara angle is hard to ignore, and certainly, this could easily commence the Second Coming of Otaku Moral Panic. They already found some anime-style drawings from the suspect — something extremely ubiquitous among almost everyone in Japan — but the images will point the blame squarely at “pop culture.” (Will his middle-school tennis club picture lead to a crackdown on clay courts nationwide?) That being said, I don’t think this guy chose Akihabara just because it’s a “popular area,” as if Shinjuku or Ikebukuro would have sufficed. There will be some kind of link.

Patrick Macias sees the killings as the massified otaku culture’s own Manson Moment. The recent Akihabara-worship was good for the economy, the media, and global affairs, but this dregs up all the suppressed fears about the dark otaku heart, justified or not. The Hokoten will close down in order to restore safety. The girl flashing panties was a help to the police on establishing the threat to the public, but this tragedy gives them surplus mandate.

W. David MARX
June 9, 2008

Ainu an indigenous people: Diet

Yomiuri: Diet rules Ainu are indigenous.

Summary: The Japanese government has been instructed by the Diet to officially recognize the Ainu as an “indigenous people” in the sense used in the United Nations Declaration on the Rights of Indigenous Peoples (press release), to which Japan is a signatory.

Chief Cabinet Secretary Machimura Nobutaka’s statement. Yomiuri assigns to Machimura this English money quote: “The government will strive to work out comprehensive measures [for the Ainu] with the understanding that the Ainu are indigenous people.”

You can read the full text of the “Resolution Seeking to Recognize the Ainu People as an Indigenous People” (アイヌ民族を先住民族とすることを求める決議) here. Meat:

一 政府は、「先住民族の権利に関する国際連合宣言」を踏まえ、アイヌの人々を日本列島北部周辺、とりわけ北海道に先住し、独自の言語、宗教や文化の独自性を有する先住民族として認めること。

二 政府は、「先住民族の権利に関する国際連合宣言」が採択されたことを機に、同宣言における関連条項を参照しつつ、高いレベルで有識者の意見を聴きながら、これまでのアイヌ政策を更に推進し、総合的な施策の確立に取り組むこと。

(Rough summary: The government shall recognize the Ainu as an indigenous people as defined by the United Nations Declaration on the Rights of Indigenous Peoples — indigenous to the northern part of the Japanese archipelago and environs, Hokkaido in particular, with a unique language and distinctive religious/cultural practices. Having adopted the UN Declaration, the government shall furthermore seek advice from knowledgeable parties at a high level and develop its existing Ainu-related policies into a concrete, comprehensive strategy for abiding by the declarations provisions.)

Director of the Hokkaidō Utari Kyōkai (”Hokkaido Ainu Association”) Katō Tadashi interviewed on the subject (again, pardon the quick-and-dirty translation):

There are 46 articles in the UN Declaration. What will the Utari Kyōkai seek going forward?

The resolution proposes that the government “seek advice from knowledgeable parties at a high level” (高いレベルで有識者の意見を聞きながら), and in accordance with this we’d like the government to spend a year or so discussing the issue from historical, legal, and other perspectives. At that point, we would like them to sort out what can be done immediately, in the medium term, and in the long term, and proceed based on that.

It is said that the reason the government hasn’t recognized the Ainu as an indigenous people is because they are afraid of demands like “Give us our land back” or “Guarantee us seats in the Diet.”

The Utari Kyōkai has never said “Give us our land back.” When the Law for the Promotion of Ainu Culture (アイヌ文化振興法) was promulgated [in 1997], the policy details were finalized in accordance with the existing domestic situation. We want [everyone involved] to think long-term, not short-term (目先のことを望むのではなく、長いスパンを考えて対応したい).

Yeah, it’s a purely symbolic gesture at this point, and yeah, it may be partly driven by the idea that the Ainu could be used as ammunition in Japan’s ongoing feud with Russia over parts north. But a positive symbolic gesture is better than nothing … right? It’s also got to beat the Japanese government’s previous position, which was that the Ainu were indigenous, and a people, but not necessarily an indigenous people.

Rambling background and commentary in English at the BBC, via an article brought to my attention at Metafilter.

Matt
June 8, 2008

The Zeebra vs. MTV Controversy

Japanese hip-hop artist ZEEBRA disrespects MTV Japan on Youtube

Many Japanese bloggers are calling J-rapper Zeebra a modern day hero for uploading a YouTube “diss” to cable music network MTV Japan. Japanese hip hop has finally become political! F**k the industry and shi*! For example…

You talk to the fucking sponsors,
All the bull shit rap you wanna push

Heavy stuff. I remind you that this is the same Zeebra who made a serious video dedicated to the Snickers candy bar.

Zeebra’s beef is very simple: he was invited to the MTV Video Music Awards Japan, and if you get invited, you are guaranteed to win. Yes, the #1 criteria for winning a MTV Video Music Award is being the one act in the category to actually show up.

But he forgot about a more important criteria: having a video that MTV produced and received money to make. In this case, it’s Rip Slyme’s ode to the Sony VAIO “ING.” (Read my original one act play about the video here.) MTV brought Rip Slyme and Sony together on this marvelous work, so it was only right for the independent music channel and cultural arbiter to award itself for such achievement in the field of commercial enterprise hip hop.

So imagine if you are Zeebra and you show up thinking, “Hey, I showed up. I can’t lose” and then losing to a commercial for a computer. You’d be pissed enough to air your grievances in rhyme.

ZEEBRA the ill skill Makes peace with MTV JAPAN

But hey, maybe his efforts will get him a VMA Award and a Twix commercial next year! The possibilities for hip hop are limitless.

W. David MARX
June 6, 2008

LV : 20YO Jpn F = 94.3%?!

Louis Vuitton’s Mythic 93.4%

Hate to cross-post and self-promote, but I have been very excited about debunking this oft-repeated number for the last week.

W. David MARX
June 4, 2008

Marxy on New Weezer Video

“PORK AND BEANS”: WEEZER RUINS THE ENTIRE INTERNET

I have an essay on the new Weezer video up at the Anthem Magazine website.

W. David MARX
May 28, 2008

Shimazaki in Shanghai

Joel Martinsen’s “Willow fluff and trashy romance novels” is a great read on the topic of Zhang Ziping, an early 20th-C. Chinese novelist who borrowed freely from Japanese sources. (Anyone know what “归儿日” might be?)

Matt
May 27, 2008

The Normalization of Hostessing

Hostessing an honorable profession, young women say

I had never seen any polls backing up the thesis outlined in the article title, but the larger youth culture definitely pointed signs towards a general acceptance of hosts and hostessing. I mean, the hottest subcultural styles in recent years have been O-nii-kei for boys and Koakuma Gyaru for girls — admittedly “yankee” delinquent fashion looks, but both based on idolizing people in the mizu shoubai nightlife. Now thanks to marketer-extraordinaire Miura Atsushi, we see that about a quarter to a third of young women are pretty comfortable with “lighting pathetic smelly old misogynist patriarchs’ cigarettes” as a career aspiration.

You don’t have to be a moral crusader to be upset about this development. Wanting to become a hostess either requires an incredible lack of imagination or just chronic disillusion at work opportunities for women. Being a hostess is not a “long-term career,” but when your options as a woman are being a “secretary” or a “serious employee who has to drop out of the management track once pregnant,” hostessing looks like an equally winning destination. And when you work as an “office lady,” you have to flatter the exact same suits every day for much less money than a hostess. You can at least change out your assigned salarymen every 30 minutes as a hostess.

The main problem with the ensuing Sankei Shimbun moral outrage, however, is that this is clearly a product of social stratification. Dead is the idea that anybody can work hard enough to become a successful white collar employee. If you have no college degree and live in some godforsaken Iwate Prefecture village, what other options do you have upon arriving in Tokyo, with no money and no social capital, than to become a hostess. Imagine more and more people every year falling out of the middle class, and now hostessing makes more and more sense as an occupation.

By some estimates, 30% of professional models moonlight as cabaret hostesses.

This is only half the story. The real scoop here is that professional modeling agencies own and operate hostess clubs at which they employ their less popular models. Yes, if you want to be a model in Japan, your agency will basically half-pimp you out to Roppongi and Ginza to serve on entertainment executives while you are “in training.” If one of the corporate media bosses likes you, he will go to your agency head and say, “Hey, I like that girl Miho,” and they’ll say, “Which one is Miho? Oh you mean Kaho. Same bitch, thousand names, right? Ha ha. Okay, maybe we can let her be a model now instead of treating her like an indentured semi-sexual servant.” And the media guy will say, “Let us treat her like an indentured semi-sexual servant.” Then they’ll both laugh and money will change hands. Seriously, can you think of a better fly trap for hostesses than opening a “model agency”?

Screed aside, I blame the male customers for all this. There are a million hostessing jobs because there are ten million guys who are so inept with talking to normal women that they happily pay ¥6000 for an hour of “banter” and Suntory Old on the rocks. Prostitution is a universal; “kyabakura” is an aggregate of guys who need a pep talk and to learn to think about their own wives as human beings.

W. David MARX
May 23, 2008