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	<title>META no TAME &#187; References</title>
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	<link>http://meta.neojaponisme.com</link>
	<description>a meta-blog for Néojaponisme</description>
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		<title>Farce Alert: Art Space Tokyo in Metropolis</title>
		<link>http://meta.neojaponisme.com/2008/10/21/farce-alert-art-space-tokyo-in-metropolis/</link>
		<comments>http://meta.neojaponisme.com/2008/10/21/farce-alert-art-space-tokyo-in-metropolis/#comments</comments>
		<pubDate>Tue, 21 Oct 2008 08:40:17 +0000</pubDate>
		<dc:creator>Ian LYNAM</dc:creator>
				<category><![CDATA[Brief Thoughts]]></category>
		<category><![CDATA[Contributor]]></category>
		<category><![CDATA[Ian]]></category>
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		<guid isPermaLink="false">http://meta.neojaponisme.com/2008/10/21/farce-alert-art-space-tokyo-in-metropolis/</guid>
		<description><![CDATA[Wow. Chin Music Press&#8217; excellent book Art Space Tokyo received an absurd and highly questionable review in the latest issue of Metropolis. Riddled with racial/cultural stereotypes of Japanese and dismissive of the opinion of foreigners involving themselves in Tokyo&#8217;s fine art world, it upholds Metropolis&#8217; reputation for stellar journalism. Read it here. AST editor Ashley [...]]]></description>
			<content:encoded><![CDATA[<p>Wow. Chin Music Press&#8217; excellent book <a href="http://artspacetokyo.com">Art Space Tokyo</a> received an absurd and highly questionable review in the latest issue of Metropolis.  Riddled with racial/cultural stereotypes of Japanese and dismissive of the opinion of foreigners involving themselves in Tokyo&#8217;s fine art world, it upholds Metropolis&#8217; reputation for stellar journalism. Read it <a href="http://metropolis.co.jp/tokyo/recent/books.asp">here</a>. </p>
<p>AST editor Ashley Rawlings retorts at length in <a href="http://artspacetokyo.com/blog/archives/art_space_tokyo_reviewed_in_metropolis/">this infinitely more worthwhile blog post on the excellent AST website</a>. Ashley politely pulls his punches aimed at reviewer C.B. Liddell while eloquently pointing out the numerous stereotypes and gross assumptions made in Liddell&#8217;s article. </p>
<p>I&#8217;m biased, as I wrote one of the dismissed essays in the damn book, but Liddell&#8217;s review strikes me as the work of a college freshman&#8217;s stab at homework for Journalism 101. Some striking concepts within:</p>
<p>Popular=Good<br />
Tokyo=Ugly<br />
Japanese =Inherently artistic</p>
<p>Apparently, foreigners are inherently less artistic, and if one is to paraphrase some of Liddell&#8217;s <a href="http://metropolis.co.jp/tokyo/608/lastword.asp">earlier work</a>, less cute as well. </p>
<p>The whole review is trite and suffers from a myopic view of  culture at large, not to mention a very short-sighted perspective on contemporary art in Japan. </p>
<p>Oh, and there are grammatical errors throughout. </p>]]></content:encoded>
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		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Scene Report: Le Baron</title>
		<link>http://meta.neojaponisme.com/2008/03/20/scene-report-le-baron/</link>
		<comments>http://meta.neojaponisme.com/2008/03/20/scene-report-le-baron/#comments</comments>
		<pubDate>Wed, 19 Mar 2008 19:12:33 +0000</pubDate>
		<dc:creator>Ian LYNAM</dc:creator>
				<category><![CDATA[Brief Thoughts]]></category>
		<category><![CDATA[Ian]]></category>
		<category><![CDATA[News]]></category>
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		<description><![CDATA[I am actually not at LeBaron. I don&#8217;t go to LeBaron. Please stop asking me to attend events there. That club blows megadicks. I am going to say it now, again, loud and clear for you: Fuck ¥1000 for shitty beer on tap. The only time I am going to pay that is when it [...]]]></description>
			<content:encoded><![CDATA[<p>I am actually not at LeBaron. I don&#8217;t go to LeBaron. Please stop asking me to attend events there. That club blows megadicks.</p>
<p>I am going to say it now, again, loud and clear for you:</p>
<p>Fuck ¥1000 for shitty beer on tap. The only time I am going to pay that is when it comes with some fancy fucking food. And they don&#8217;t have that at LeBaron. Just dudes with asymmetrical haircuts who can&#8217;t dj for shit. </p>
<p>Oh, and retards. </p>]]></content:encoded>
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		<slash:comments>11</slash:comments>
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		<title>MOLD</title>
		<link>http://meta.neojaponisme.com/2008/01/22/mold/</link>
		<comments>http://meta.neojaponisme.com/2008/01/22/mold/#comments</comments>
		<pubDate>Mon, 21 Jan 2008 15:10:38 +0000</pubDate>
		<dc:creator>Ian LYNAM</dc:creator>
				<category><![CDATA[Ian]]></category>
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		<category><![CDATA[Audio Dregs]]></category>
		<category><![CDATA[Craig Wedren]]></category>
		<category><![CDATA[E#Vax]]></category>
		<category><![CDATA[Ratatat]]></category>
		<category><![CDATA[Shudder to Think]]></category>

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		<description><![CDATA[More of the self promo bullshit. A while ago I started a small project record label called Mold Recordings. The first release is out now — a one-sided 7&#8243; record pressed in lovely splattered green vinyl with an etching on the b-side. The music is by Craig Wedren (singer of the very difficult to pigeonhole [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://neojaponisme.com/images/2008/01/mold2.jpg"></p>
<p>More of the self promo bullshit. A while ago I started a small project record label called  <a href="http://moldrecordings.com">Mold Recordings</a>. The first release is out now — a one-sided 7&#8243; record pressed in lovely splattered green vinyl with an etching on the b-side. The music is by Craig Wedren (singer of the very difficult to pigeonhole and defunct D.C. band <a href="http://en.wikipedia.org/wiki/Shudder_To_Think">Shudder To Think</a>) and E#Vax (Half of <a href="http://ratatatmusic.com.com">Ratatat</a> and half of Audio Dregs Recordings).</p>
<p>300 pressed, 100 left. Going&#8230; going&#8230;</p>]]></content:encoded>
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