I’m super-amped to announce the public release of Eli Carrico’s Black-Out Stencil typeface via Wordshape/MyFonts.
Black-Out was used for the cover and interior of the Barbara Bestor book, Bohemian Modern, designed by Eli and Michael Worthington a few years ago over at Counterspace, a stunning book about L.A. architecture and interiors. Since then, it’s seen super-limited use by a select few folks, but Eli decided (with a little prodding) that the time was nigh for public release.
A chunky mix of geometric stencil, system-based slab serif, and a unique feel that falls somewhere between 1967 and the year 3000, Black-Out will sock you in the privates and run off with your money. Or something.
Do you remember me? Culture-bound syndrome Ⅴ
Sat, May 15 – Sat, June 5
Gallery hours: Thursday / Friday 12:00 – 6:00 pm – Saturday 12:00 – 5:00 pm
Ryoichi Yamazaki’s sculptures, worked in plaster, glass and paint, explore the theme of a cultural phenomenon specific to Japan – hikikomori or “withdrawal syndrome”, a relatively modern psychological disorder. Affecting mostly adolescent males, it manifests itself as withdrawal from family and society, often to the point of complete isolation. Though Yamazaki’s sculptures, with uniform white hooded tops and remote look, suggest a sense of disengagement, they unnervingly also appear kawaii or cute, like popular Japanese characters.
This solo exhibition of new works of sculpture and drawing from Yamazaki, is an installation site specific to the Nakaochiai Gallery and a continuation of the hikikomori series. For the first time since it opened in 2004, the gallery — situated in a wooden house on what was once a traditional Tokyo shotengai or “shopping street” — is being used in it’s entirety, with works being shown throughout the building.